曲目列表
专辑简介
专辑简介：指挥家、研究员和古乐器乐团La Madrileña的创始人何塞-安东尼奥-蒙塔尼奥（José Antonio Montaño）首次在著名的Sony Classical担任历史音乐恢复工作。这张专辑这是多年工作的成果，在对作曲家弗朗西斯科·科塞利（Francesco Corselli）作品的精心录制中得以体现，他是马德里皇家歌剧院的音乐大师。专辑的核心人物科塞利对马德里的音乐历史影响极大。他出生于意大利皮亚琴察（Piacenza），在意大利的不同城市学习和工作后，在马德里定居。他在1705年至1778年的四十年间，担任了著名的、令人羡慕的皇家卡皮亚大师职位（Maestro de la Real Capilla ）。科塞利是将意大利风格引入西班牙的先行者，在他的时代是整个欧洲最需要的，特别是在他在马德里的创作中，他的神圣作品能够巧妙地将这种现代风格与文艺复兴时期的西班牙音乐遗产相融合。这张唱片收录了五首世界首演的男高音与管弦乐队作品，由国际领军人物之一、假声男高音卡洛斯·梅纳（Carlos Mena）演绎，另外两张世界首演的录音来自作曲家乔瓦尼·巴蒂斯塔·萨马尔蒂尼（Giovanni Battista Sammartini ）和毛罗·达莱（Mauro D'Alay）。专辑曲目来自于马德里皇宫档案馆、布兰切顿收藏馆和德累斯顿萨克森州图书馆等不同机构的手稿资料。艺术家简介：男高音歌唱家卡洛斯·梅纳（Carlos Mena）出生于西班牙的维多利亚-加斯蒂兹（Vitoria-Gasteiz），曾就读于巴塞尔的巴斯利学院（Schola Cantorum Basiliensis），师从Richard Levitt和雷内·雅各布斯（René Jacobs）。他曾为世界各地的观众演唱，歌剧角色包括亨德尔的《拉达米斯托》中的主角、柏林蒙特威尔第的《奥菲欧》中的斯佩兰扎、马德里布里顿的《仲夏夜之梦》中的奥伯伦。他目前是圣玛丽亚大教堂基金会推广的圣玛丽亚大教堂的音乐和艺术总监，并在国家和国际音乐节上指导从中世纪到古典时期的曲目。他曾在世界上最负盛名的场所，如维也纳金色音乐厅、柏林爱乐音乐厅、布宜诺斯艾利斯的科隆剧院、纽约MET的Alice Tully大厅、华盛顿的肯尼迪中心、柏林爱乐、东京的三得利音乐厅和歌剧城大厅、大阪交响乐厅、悉尼歌剧院、墨尔本的音乐厅等地演出。双飞娘俩国语
Greg Murphy, an inventive and versatile pianist with an epic sense of the pure and beautiful, is a formidable talent. Throughout his musical career, he has accumulated a vast number of stories, and those stories are woven into the fabric of his material. "Bright Idea", his trio recording with Jeff “Tain” Watts and Eric Wheeler, comes together in a way that embraces all of the places Murphy has been, from his grinding, intensive study in New York, his time in New Orleans with Ellis Marsalis, his pop-funk days in Chicago, and his Latin jazz work with Raphael Cruz. It is a well and fully rounded musical adventure, rife with dimension and color, and his most fully realized recording yet. At this point in his career, we would expect no less. Recorded, produced and arranged by Murphy, Bright Idea features mainly originals, with a few exceptions, including a torrid rendition of the Pharrell Williams tune “Happy.” With Watts and Wheeler alongside, Murphy achieves an energetic vitality on the session, especially on tracks like the newly discovered Coltrane composition, “Untitled Original 11383,” a twelve-bar blues, and Joe Ford’s “Earthlings.” But throughout the album there is generosity, reciprocity and the desire to make memorable and triumphant music. Bright Idea, Greg Murphy’s second Whaling City Sound project and fifth overall, is his strongest statement as a leader and his most beautifully played collection of stories. Now swinging with the best, Murphy has come out the other side of life’s challenges and is now destined, even determined, to find his place in the pantheon of jazz piano.
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